Dear Mom,

It’s been 24 years since the day you left me. That seems like an absurd number, but I know that every year the number gets bigger. Each year, it feels like you’re getting farther away. I lose more memories. I live farther from the people who knew you. Most of the people in my life have never met you. Some of them don’t even know that you’re gone. With each deathiversary, I get more accustomed to explaining where you are.

The closer I get to your age, the more scared I am for myself. Joining a grief group has helped me to realize that this is normal. Most of us who have lost older siblings or parents assume we won’t make it past the age they were when they died, and when we do, we don’t know how to handle it. We never envision ourselves reaching 40, knowing our mom never will, but here I am. I still have some years before I reach 36, but the dread grows the closer I get.

A lot of people mark traumatic experiences, especially deaths, with “before” and “after.” This is how trauma survivors tell time. And while this is how I mark other events in my life, with you there was no “before.” The floaty recollections I have of you feel like another life, a dream, a made up story. My whole life has been “after.” For a while, I wasn’t sure what that meant for me, but recently my trauma therapist explained to me that my trauma isn’t in the fact that you died. I don’t remember it. The trauma of losing you happens over and over again, every time something happens that you should be here for and you’re not here.

I have more pictures of you in my room now to help me remember. I’m doing regressive memory work with my therapist to draw out old feelings and, hopefully, old memories. I mainly remember you taking care of me: scraped knees, bee stings, injuries of childhood. I remember you waking me up to lick the spoon from a batch of brownies. I wonder if you knew then that you didn’t have much time left, and that sweet memory would be more important than my 8pm bedtime.

Next to my bed, I have a tryptic of you, signing to me that you love me. I. Love. You. You smile back at me from a 90s hospital room every night as I go to sleep. And I know that you loved me. There are pictures to prove it. You stared at me with a look of deep adoration. But sometimes I get angry at you. I wish you’d left me more things to remember you by. I wish I had letters for each birthday or a recording of your voice reading me a bedtime story or a video telling me all the things you couldn’t tell a five-year-old. I know it’s not fair to ask for those things because I’m sure you did the best you could. I only ask for them because I miss you.

I’m not sure what I believe about where you are anymore, but I hope wherever it is, it’s peaceful. I hope you are proud of me, but I hope you don’t miss me. People tell me you’d be proud of me, but it doesn’t mean much. Even so, I try to live each day like you’re watching me. I look for you in crowds.

Love you always,

Brenna

The Cycles of Grief

Each year on November 5th, I post a picture of my mom.  Some years, I feel strange about this ritual, especially if I’m in a new place where people don’t know that my mom died.  I do it anyway, though, because I have to find a way to hold space for her.  I think about her on November 5th even if I forget about her the rest of the year, and that feels holy.

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My mom on her wedding day.

For the first 20 years of my life, I didn’t think  much about grief.  Right after my mom’s death in 1995, my dad took me to grief counseling where I did both individual and group therapy.  I’m grateful for that early therapy but it was nearly impossible for a five year old to fully process death.  The loss of my mom because more of a “fun fact” that I could pull out when people made “your mom” jokes in high school or when I had to explain why my dad was getting married when I was in the 4th grade.  I would wear some of her jewelry or her tshirts with cats on them, but that was the extent of it.  I didn’t consider what it meant for me as a daughter or a mother or a person trying to understand herself.

It wasn’t until college that the weight of it fully hit me.  I was on a worship team for my university’s chapter of InterVarsity Christian fellowship, and on one of our annual retreats, we had a particularly poignant sharing time.  Team members shared about breakups, deaths, friendship struggles, and other things we usually kept close to our chests.  I remember suddenly bursting into tears, shocked at my emotional reaction to something I hadn’t cried about for a decade.  It sunk in that she wouldn’t be there when I got married, when I graduated, or when I had my own children.

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I see myself in this picture.

Since then, I’ve tried to get to know her more.  It turns out, getting to know a dead person is difficult, but not impossible.  I talk to her and write to her and talk about her.  This doesn’t make it hurt less.  If anything, it makes it hurt more, but if I feel nothing, the grief will fester inside me.  And unresolved grief can be a real bitch.  My decades of not feeling grief brought about depression and self harm.  So, even if it’s been years, it turns out I can’t just pretend that nothing happened.  When I recognize that my desires to be perfect and control everything around me have a lot to do with my need to live out her legacy and protect myself from an early death, I can learn to let those things go.

I recently joined a community called The Dinner Party (TDP).  There are chapters all over the world, and their mission is:

OURS IS A COMMUNITY OF MOSTLY 20- AND 30-SOMETHINGS WHO’VE EACH EXPERIENCED SIGNIFICANT LOSS & CONNECT AROUND POTLUCK DINNER PARTIES TO TALK ABOUT IT

I’ve only met with this group once, but it was overwhelmingly refreshing to be in a room of people who aren’t afraid to talk about death.  One of my close friends recently lost her dad, and as I watched our other friends respond to her grief, it brought to light my own experiences in which people weren’t sure how to approach death.  At TDP, I could joke about death, cry about things that I “should be over by now”, and talk about the things that don’t seem to make sense.  I didn’t have to put my grief in a box that looked the way others expected it to.  Listening to others describe their experiences clarified my own.

Each year on November 5th, I can’t believe how long it’s been since she died, but I hope that as I grow farther away from her temporally, I grow closer to knowing her.  I see her in myself as I approach the age that she was when she died.  I see the shape of my body when I look at pictures of her.  I think about how much she would love my cats.  None of this makes it easier, but it’s better than pretending none of it happened.

Legend

This is a portion of the piece Legend, which is published in full in the collection Georgia’s Emerging Writers: An Anthology of Nonfiction.  The collection can be purchased here or on Amazon.

I am a child, maybe six. Alone, but not lonely. I walk without direction along the suburban street in front of my house. There are railroad ties that my dad put in our yard to prevent drivers from cutting the corner and leaving tire tracks in our grass and a wooden fence, gradually rotting. Bradford pear trees and small cacti neatly circle around the perimeter of the yard. I watch my cat climb the tree right next to the house, hoping she doesn’t get stuck.

I breathe in the magnolia air and run across the yard to a strip of woods that separates our yard from the neighbors’. Rocks the size of cantaloupes line the patch of woods, and I like to hide things under them – pieces of paper with secret messages or tiny toys. My favorite spot is a small tree that grows strangely out to the side, stretching toward the sunlight and making a chair with its trunk. I sit on it and uncover my favorite rock, grey-blue with sharp edges, under which I keep one of my mother’s old lockets.

I look out and survey the world I’ve created for myself. I am safe here with the trees and the rocks and the Southern air. I am safe from the grief that fills our house. I am safe from the stress of my father as he tries to balance raising a daughter and working in an office. I am safe from the emptiness of a house without a mother. In my imaginary world with trees and rocks and railroad ties, the truth is avoidable. In my game, I am a mother, caring for the trees and for the tiny objects under rocks.

In adulthood, learning how to cope with my lack of knowledge about my biological mother has progressed little beyond my childhood games. If anything, I’ve grown further away from being able to remember her. In my consistent efforts over the past 22 years to count my memories of my mother, I can count only five. Other images of her float around, cross-contaminating my memories to form legends of a woman I never really knew. There are the stories that relatives and friends tell decade after decade – the story of my premature birth, the story of how she pulled out a chunk of her hair during chemotherapy and made a quippy joke to her doctors, the time we all went to Disney World when I was two – but none of these are my own memories. They are stories for which I created images after multiple retellings. More importantly, they are not the entire story. They are the high points, the greatest hits, the grain separated from the chaff. No one tells me about the mundane things – how she brushed her teeth, what she ate for breakfast, how she pronounced the word pecan – much less the terrible things. When someone dies, everyone is afraid to mention the moments that they gave up or the times they were frustrated with people they loved. We conveniently forget that they were a whole person with flaws and, instead, create a legend.

These unintended heroes give us the same hope that any legend gives: the story of a martyr who was kind through her suffering, benevolent to a fault, selfless in every circumstance. However, legends are not people; they are ideas. And my mother was not an idea; she was a person, and I cannot know her unless I know all of her stories. So, I will start with the ones I remember…

To read the rest of this piece, visit the Z Publishing website to purchase the collection.